10. Vera Cosgrove played by Elizabeth Moody in Dead Alive (1992), directed by Peter Jackson: Henpecked Lionel Cosgrove does his best to cater to his mother. But, when she is bitten by a Sumatran Rat-Monkey while interfering with his new found relationship she becomes a zombie and Lionel really has his hands full. Despite his best efforts to sedate and care for his carnivorous mother and her victims, the undead count she creates keeps growing. Soon Lionel’s house is teeming with zombies, everything is out of control and something must be done about his unruly dead guests. Still lauded as the goriest film of all time, Dead Alive continues to hold its own among the top horror comedies.
9. Mrs. Trefoile played by Tallulah Bankhead in Die! Die! My Darling! (1965), directed by Silvio Narizzano The classic Hammer horror film starring Stephanie Powers, Donald Sutherland and the incomparable Tallulah Bankhead. When Patricia (Powers) drops in to pay her respects to her dead fiancee mother, she is imprisoned by the religious fanatic who is determined to purify her soul. As the domineering mother, controlling everyone around her, Bankhead takes her place among the matriarchs of psycho-biddy/hag-horror.
8. Sarah Connor played by Linda Hamilton in Terminator 2: Judgment Day (1991), directed by James Cameron: Sarah kicked butt in the first Terminator, protecting her unborn son from a cyborg monster from the future. But, she really brings it on in the sequel, leading the now teenage boy on a journey to change the future, aided by her colorful friends and pursued by a more advanced cyborg model. No mom ever was as bad-ass as Sarah Connor, so don’t mess with John!
7. Ruth Chandler played by Blanche Baker in The Girl Next Door (2007), directed by Gregory Wilson: No psycho-mom can match the depravity of Aunt Ruth, particularly given she is based on a true story. Among the most disturbing torture-porn movies ever made, one feels dirty just watching the film about a young girl who goes to live with her aunt and cousins after her parents are killed. Before long her aunt has her chained in the cellar, allowing her young boys and their friends to repeatedly torture and rape her.
6. Grace Stewart, played by Nicole Kidman in The Others (2001), directed by Alejandro Amenábar: This throwback to old school ghost stories made more at the box office than any other Spanish film. The story centers around Grace’s obsessive efforts to school and protect her children alone in an old, isolated mansion while she awaits her husband’s return from the war. Grace maintains that the children have an extreme sensitivity to the sun and systematically keeps it from showing into the house by locking every door and covering the windows in thick drapery. But, she soon begins to suspect someone, or something else is in the house and they aren’t abiding by her rules.
5. Mrs. Eleanor Shaw Iselin played by Angela Lansbury in The Manchurian Candidate (1962), directed by John Frankenheimer: Eleanor Iselin set the mold for all domineering, controlling, ruthless mothers to follow. Under her direction, Raymond’s bumbling stepfather fueled a red scare that would put him on track to take over the presidency of the U.S. Despite her later claim that she resented having to sacrifice her son to get the job done, she doesn’t hesitate to manipulate Raymond and destroy any chance for him to find happiness. While the 2004 version stands above most remakes, even the able skills of Meryl Streep don’t hold a candle to the chilling performance of Angela Lansbury.
4. Mrs. Bates Voiced by Virginia Gregg in Psycho (1960), directed by Alfred Hitchcock: The first mother to come to mind on any horror list is likely to always be Mrs. Bates, the mother from horror’s first slasher film. From then on, insanity would be closely linked to the mother/child relationship on film.
3. Constance Langdon played by Jessica Lang in American Horror Story (TV Series: 2011-present), multiple directors: While Lang’s performance as Fiona Goode, the coven leader and daughter’s tormenter in Coven, the 3rd season of the television series; It is in the first season as Constance Langdon that Lang’s character stand out in among an outstanding parade of characters. As the former owner of Murder House, Lang continually drops in on the new family to stir up laughs and trouble. Her wise cracks and shenanigan’s elevate television’s most interesting foray into horror to dark comedy. And while her inept mothering instincts and preoccupation with men and drink spawned monsters like her offspring chained in the attic or the troubled teen that massacred his schoolmates, she is willing to go to great lengths to protect her young. She also birthed the show’s most sympathetic character, the mentally-challenged Violet who she at once spoils and abuses as she attempts to do a more successful job at fulfilling her role as mother. It’s a daunting task for someone so completely out of their mind and carrying so much baggage.
2. Margaret White played by Piper Laurie in Carrie (1978), directed by Brian De Palma: Piper Laurie’s over the top performance as the bible thumping, smothering mother of a young telekinetic girl created one of horror’s most memorable characters in a movie that helped launch several significant careers. Mrs. White’s efforts to shelter her child from the sins of the world create a timid social outcast struggling to find her place. But, taking charge of the emotional roller coaster of the teen years gets even more complicated when you’re telekinetic.
1. Edith “Mama” Brennan played by Javier Botet and Annabel played by Jessica Chastain in Mama (2013), directed by Andrés Muschietti: The most recent addition to the list is a no brainer for top spot as the movie’s foundation is the maternal instinct. Young children Victoria and Lily are helpless in the woods for five years before their uncle finds them, surviving only because they are cared for by a wandering entity who happens upon them. When they are found and go to live with their uncle and his girlfriend the entity is not willing to give them up. Annabel, the uncle’s girlfriend, is full of self-doubt and asserts several times that she is not prepared to deal with raising girls with such extraordinary needs, but at every turn she rises to the occasion and does what is best for the girls. But are the girls willing to give up the only mother they remember? And, will she let the them?